Always in motion. Whether through pure abstraction, riffs on recognizable symbols, or spontaneously emerging forms, the aim is to create something vibrant and alive. I’m drawn to work that resonates with a sense of truth and authenticity, even when its meaning is allusive and multilayered. Color, gesture, and spatial relationships operate as living systems within the work, generating rhythms and tensions that unfold across the surface and invite sustained attention.
Over the past two decades, my visual language has evolved in nonlinear ways—more like a spiral than a straight line, more improvisation than repetition. Each piece becomes an act of exploration, revealing new dimensions of the blurred boundary between 'self' and the world. Dense, patterned passages converse with looser gestures, creating a dynamic interplay of structure and flux, while forms hover between presence and dissolution, allowing perception itself to become an active process.
I’m especially interested in visual systems that reference and reinvent themselves—borrowing, reshaping, looping back, and transforming the familiar into something fresh. This ongoing process makes creative expression feel endless: a playful, vital way of reaching toward the ineffable. The work functions as both environment and encounter, where the viewer’s attention, movement, and perception coalesce, and where each painting, each drawing, becomes a space to inhabit, linger, and witness the unfolding of color, form, and rhythm.